最美的時刻

一部謊言書寫而成的偽自傳,一場借來人生的獨角告白

《最美的時刻》描述一個代筆作家,總是藉他人之口發出自己聲音,只有透過別人的身世,他才感覺到自己的存在。透過獨角戲的形式,以人、偶同台,相互對照的手法,貼近地詮釋了作品角色。演員魏雋展一人飾演多角,以「演員」扮演替人執筆「代筆作家」,並透過「偶」為媒介,展演「變形」成為「他人」的過程;而劇中多種人∕偶對位關係,透過「極其虛假」的戲偶,直指關於「真實人生」的諷刺,更暴力,也更犀利。本劇突破了偶戲的刻板想像,讓「偶」在「無生命的物件」與「栩栩如生活起來」之間快速轉換;成功打造出成人專屬的偶戲,締造了偶戲劇場新未來風格。

演出形式:真人、杖頭偶、執頭偶共同演出
觀眾對象:18+
首演:2009年10月15日 國家戲劇院實驗劇場
得獎:台新藝術獎年度十大表演藝術、聯合報年度十大必看節目

原著│明夏‧科內留斯(Michael Cornelius)
劇本改編/演員│魏雋展
導演│BABOO
偶戲導演│鄭嘉音
操偶演員│黃迪揚(首演版)、王宏元(巡迴版)
導演助理/操偶演員│劉毓真
舞台設計│曾文通
服裝設計│賴宣吾
音樂設計│Jeff (許向豪)
戲偶設計│鄭嘉音、劉毓真
燈光設計│黃申全
影像設計│朗機工
舞台監督│張仲平
戲偶美術製作│葉曼玲、莊育慧
戲偶結構製作│鄭嘉音、邱米溱、洪瑞霞
平面美術│聶永真
劇照攝影│陳又維(首演版)、鄭嘉音(巡迴版)
錄影│陳冠宇、林婉玉

 

 

 

Derrick Wei × Der Schönste Moment

“Der Schönste Moment” tells the story of a ghost writer. He always composes the lives of others and utter his voices through the mouths of others. It is only through the life experiences of others, it seems, that he can feel his own existence. This play assumes the form of soliloquy, with an actor on stage with a puppet through the entire performance, contrasting each other, to approach the character of this ghost writer. Actor Chun-Chan Wei plays multiple characters, transforming himself into the ghost writer and doing so with the puppet as a mirror to this process of transformation. The complicated relations of the living man and the lifeless puppet in the play also serve as a powerful sarcasm of the idea that we call the “real life”. We challenge the stereotypical perception of puppets by presenting them swiftly between the state of a lifeless item and that of a living being. “Der Schönste Moment” is our ambitious attempt of a puppet play specifically for adults. With this play we create a new style for the future of the marionette stage.

Premiere:Oct. 15, 2009 / Experimental Theater, Taipei
Milestone: 10 Best Performance of Taishin Arts Award 2009
Original Story: Michael Cornelius
Script adaption & Actor: Derrick WEI
Directors: Baboo, Chia-yin CHENG